Catch Me If You Can

A lot less momentous in subject matter than most recent Steven Spielberg films, Catch Me If You Can is the "inspired by a true story" tale of Frank Abagnale Jr (Leonardo di Caprio), a mature-looking teenager who spent the 1960s as an odd type of conman: passing himself off as an airline pilot to get free flights, holding down a job as supervisor of an ER team, and even passing a bar exam after only two weeks' study, all the while dealing in forged cheques. As his illicit earnings spiral up above four million dollars, Frank is dogged by FBI agent Hanratty (Tom Hanks), a plodder who begins to have a relationship with his quarry—the boy politely telephones him every Christmas to catch up.

It may have a Spielbergian running time (two hours and 20 minutes) and boast big stars usually found only in thumping epics, but it's basically a breezy character piece with tactful shots of melancholy amid the high-flying, no-harm-done criminality. DiCaprio does his best screen work as the compulsive impersonator, turning his rather vague presence to his advantage as he slips into his various roles, and the typical Spielberg fathers-and-sons theme is delicately played in the kid's scenes with his real (Christopher Walken) and surrogate dads. It's a pleasure to find that Spielberg can play it light without sacrificing depth. Set in the pastel 1960s, with James Bond and vintage Flash comics for context, the film has smart patter, a terrific mod-look credits animation and John Williams' most finger-snappin' score in decades.